A rich man, Loukas (Manos Filippidis), lives happily with his wife (Sofia Vempo), a refugee woman from the Caucasus, and their daughter. When a cousin of his pays them a visit, accompanied by a charmi...
It is the third film in a row of the genre that much later on was called “fustanella (Greek kilt)”, following "Gkolfo" by Bachatoris (1914) and "Astero" by Gaziadis (1929). It is based on the succ...
It is an articulated film comprised of three free-standing stories with a common theme: the attitude of the Greeks under the yoke of a foreign power. The Clock, the first story, is a comedy set on the...
A woman (Peri Poravou) wanders around a deserted beach in a provincial town with her 10-year-old son (Panos Gkiokas). The following day, she has to leave her son with her ex-husband (Nikiforos Naneris...
In postwar Thessaloniki, Dimitris, a young man, "arrests" Spyros, a kid who stole a wallet and tells him his story, namely the story of the 160 children that made up "The Barefoot Battalion" and strug...
Agioupa, an unruly orphan girl, sleeps in the fields, choosing the company of the birds to her fellow villagers. Thus, she is often raped by the peasants. A doctor, who feels pity for her, offers her ...
At the time of the German occupation of Athens, a group of children steals food and other supplies from the enemy, in order to survive. Their activity turns into a form of resistance and the Germans s...
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [photo of the front cover].
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.