The film shows the activities of a machine gun battalion: field exercises on horseback, combat, machine gun cleaning, horse riding and equestrian gymnastics, fencing, harnessing the wild mules.
The garrison units of Lisbon perform military exercises near the Jamor river, attended by the Minister of War, and in which artillery and “heavy” machine guns take part.
Documentary film on the daily life in the Military School: classes, sports (swedish gymnastics, leaps, pole vaulting), artillerty exercises, a parade featuring the school’s band.
Incomplet. Views of bathers and beaches of Parede, Tamariz, Conceição and Ribeiro in Cascais. Streets, hotels and chalets of Estoril. Shows, sports and leisure. Fishermen patching the fishing nets.
Non-fiction film on the key-players of the military coup of 28th May 1926, which brought the First Republic (1910-1926) to an end.
Images of the funeral ceremonies of the poet Guerra Junqueiro, gathering a huge crowd who followed the procession from Basílica da Estrela to the Jeronimos Monastery.
Documentary film on the education establishment, its facilities (edifice built in 1914 which now hosts the headquarters of the Guarda Nacional Republicana) and activites.
Images of a gala bullfight, on foot and on horseback, in an unidentified site.
A page of Ernesto de Albuquerque's photo album.
portrait
Portrait of the film director.
film frame
Portrait.
Film frame of the film 'Panoramas do Porto' ('Panoramas of Oporto', c. 1900).
Portrait.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.