Unedited footage on the city of Coimbra and some of its touristic spots: the Mondego river, Santa Clara bridge and monastery, Toll Square, University and Old Cathedral.
Unedited footage. Religious cerimonies at Cova da Iria. Pilgrims on their way to the sanctuary. Religious procession.
Incomplet. Buildings, monuments, main streets, harbour and railway of Maputo.
Incomplet. A parade of decorated cars passes by a street full of people and children with shovels plant trees.
31st January celebrations and military parade. 5th October military parade. Armistice in Oporto. WW I memorial.
Unedited footage. The wine cycle in Quinta do Bom Retiro, estate owned since 1919 by the Ramos Pinto company (prod. company of the film): vineyard, harvest, transport of grapes, ball, winepress.
Several experiences in different farms of potato cultivation, with and without CUF’s fertilizers.
Film frame
A view of the production company’s installations: the film studios on the left, the main building on the right.
Film frame.
Portrait of João Freire Correia and Maximino Abranches, 1909
Film frame
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Notes on the non-fiction and newsreels films and on its audience reception.
A praise to the film ‘A Cidade de Thomar’ upon its reprise. Commentary on the film’s reception.
Notes on a Gaumont’s delegation visit to Portugal to film monuments, landscapes and typical places
A letter to the periodical on the authorship of the film «Angola» (1930).
Criticism on the weaknesses of the Portuguese documentary films included by law in every cinema-shows.
On the film potential in the domain of tourism. An incentive for that type of film.
On some weaknesses of the protection law stipulating the inclusion of 100 m footage of Portuguese documentary films in commercial scéances.