The 4th football match between Portugal and France, held in Paris (Stade de Colombes) in 24th March 1929.
The airmen visit Oporto: the entourage walks through the city and attend a children's party at Crystal Palace. Gago Coutinho steers one of the “farman” seaplanes lent by Angel Beauvalet.
“A shot of a great bustle” (in "Jornal de Notícias" - 1 Nov 1896). Fragment.
One of the earliest Portuguese films, by Aurélio da Paz dos Reis, frequently refered to as the first Portuguese film director, shows the workers of a factory on their way out.
Fragmento. One of the earliest films by Aurélio da Paz dos Reis, frequently refered to as the first Portuguese film director, shows two couples in traditional attire dancing.
Images of Figueira da Foz: streets, monuments (including a WWI Memorial), allegoric cars, procession, the beach and the vacationers, the Casino.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame
Film frame
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Notes on the first film exhibitions in Portugal and on Portuguese early films.
Notes on the huge development of documentary film, namely in Germany.
Commentary on the film work of Artur Costa de Macedo.
Film review of 'Alfama, velha Lisboa'.
Manuel Antunes Amor reports on his documentary works in the East.
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Commentary on the Portuguese first public audience response face to a new art: film.