Manos (Stefanos Stratigos), owner of a nightclub, is followed by a mysterious woman (Ilya Livykou). At the same time, the singer of the club (Efi Oikonomou) tries to get close to him, earning the trus...
This is a documentary which depicts life in Cuba and in the Cuban community of Athens, focusing on such Cuban musicians as Raidel, Magali, Pedro, Pilar, and others.
Mary and Nikos (Aliki Vougiouklaki and Alekos Alexandrakis) are a happily married couple whose life turns upside down when Mary’s friend, Lilly (Maro Kontou), borrows their new car. When Lilly crash...
Three cousins who share the same name and surname, Christos Delimanis, all share a large courtyard. The first one is a police officer, the second a habitually unemployed communist, while the third is ...
A Greek-British co-production featuring the adventures of a British secret agent (Lakis Komninos) who accepts his last mission in Greece. His mission proves to be very dangerous when double agents get...
The film is based on a true incident. In the year 1953, in a tobacco-growing village in Macedonia, a strange murder is committed. During the court hearing, it is evident, from the testimonies of the w...
Alexis is a soldier who manages to survive a deadly battle and then becomes a deserter, taking refuge in the barn on a nearby farm. Ermina, the young landowner’s wife, discovers him and offers him f...
When a friend of his dies, an isolated writer decides to abandon his solitude and look into the reasons for the loss of his friend. This decision will force him to face the people around him and final...
The presentation engages in its most part with the personality of the "story teller" Fellini, before analyzing the WHITE SHEIK, which was created, as mentioned, "with an enviable fervor for satire". T...
Programme of the Little Club of the Greek Film Archives. Screening of the film “RACHEL, RACHEL”, directed by Paul Newman with Joanne Woodward and Estelle Parsons. Then follows the plot of the film...
Frank Capra makes "LOST HORIZON" in 1937, based on a novel by the British writer James Hilton, which does not fit in with his idiosyncrasy, after winning the Oscars for Best Director for the films "IT...
Critique presentation of the film with several details about the director, whom considers as on of the most rebellious of the School of New York. Refers to the view of great directors about his work, ...
The programme for the film "Night and the city" contains biographical notes on Dassin and his earlier films. It stresses that the elements of police and suspense figure prominently in his films and sa...
According to the program, the movie underlines the mystique side of Herzog's powerful talent. After this finding, a brief plot summary is provided and then follow some thoughts about the relation of t...
On the cover of the edition of the Association of Pentagians – Pentagian Thought, there is an announcement of the screening, restored by the Greek Film Archives, of the film "Maria from Pentagioi", ...
Programme for the PALACE Cinema. The name and address (in brackets) of the cinema, at the Army Pension Fund Hall, the film's title, "THE GOLDWIN FOLLIES", rating, "Unsuitable for the underage", and s...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS