The curse of the Romanovs’ black diamonds haunts three people who are involved in their transport to Greece.
A worker (Giorgos Tzortzis) asks for the hand of the daughter (Eleni Anousaki) of his powerful boss (Lykougros Kallergis) in marriage. His boss dismisses him, but he starts his own business with the h...
The camera of a young man goes from hand to hand, and we follow its peregrinations following its theft from the workshop of the technician who was going to repair it.
A widowed taverna owner (Petros Kyriakos) tries to improve himself in order to please the aristocratic family of his son's (Giorgos Kampanellis) wife (Gkelly Mavropoulou). He manages to change things ...
A film adaptation of a play written by Dimitris Ioannopoulos. The director, Antonis Papadantonakis, was known for his cheap, shoddy films as well as his conceit over how he could always get the equipm...
After his boss’ death, Stathis, who is the manager of the company, marries his late boss’s daughter. Her mother, however, who is one of the major shareholders, wants to run things herself and so s...
This is a documentary about the relationship of the Mediterranean people with the olive tree. It shows the symbolism and the actual daily presence of the olive tree and oil in the lives of the people ...
The programme is entitled "The Wealth of the German Cinema" and is a comprehensive encyclopaedic essay on the classical German cinema. The Greek Film Archive Foundation proudly presents a rare copy of...
Richard Brooks' romantic love melodrama « THE LAST TIME I SAW PARIS" was a huge success in the '50s. It is based on Scott Fitzgerald's book "ΒΑΒΥLON REVISITED" and is about a writer's love for a ...
The programme for January – April 1997 announces the following cinematic tributes (beginning with a brief introduction, followed by titles of the films and details from the credits). - Marcello Mas...
The SPLENDID Cinema program. On the front cover: “The SPLENDID cinema, ‘ASTERO’”, followed by the film synopsis.
According to the programme, Giannini, “transferring to the big screen his theatrical success, aspired, with this film, to give to the new kind of Dance-Musical-Fantasy, which was tried right after W...
The presentation, signed by Mona Mitropoulou, begins with reference to the history and the time environment of the film: We are in (1934-5), that is the time of dominion of the German cinema, followin...
The program mentions the divided reception of the film by the public and the characterization given by the filmmaker himself as “a requiem to the unification with Greece”. The presentation also a...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS