The French-made gun (no identification, but possibly a 155mm naval gun) rests in its emplacement with its breech-block removed. The caption says it was destroyed in the Austrian attack which took Belg...
The First World War was still raging when the wedding of Captain John Glaister RAMC, son of Prof John Glaister and Isobel Lindsay, daughter of Sir John Lindsay took place at Glasgow Cathedral, 25th Ma...
Kirkcaldy Motor Club footage from 1934 and 1935. Featuring motorcycle races at Kirkcaldy, Portrush Ireland, and Southport. General views of the aeroplane trip to Ireland. General views of the races...
Intertitles and still photos describing the progression of Baxter's bus services and fleet followed by general views of Glasgow trams and Baxter's buses in service throughout the Lanarkshire and Glas...
A visual history 'in and around Newton Mearns', on Glasgow's south side, this film features both still and moving image to create a montage of local history from the beginning of the 20th century.
A romantic comedy in which John presents himself as an aristocrat so as to still be able to marry his fiancée.
The battlefield forms part of the British reserve line, and is still under intermittent German shellfire. The British assembly trenches, one with a very clean white cross "To An Unknown British Hero" ...
What happens when a child after 27 years still cannot separate from its mother, is still connected to her by the umbilical cord and refuses to leave the amniotic sac?
German movie poster of "The Innocent" ("... und der Himmel steht still", 1992/93)
Anke Engelke in "Doktor Proktors Pupspulver" (2013/14)
Emily Glaister, Marian Saastad Ottesen (from left to right) in "Doktor Proktors Pupspulver" (2013/14)
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.