The Finnish Olympic Team departing for Melbourne. Finnish glass at Kunsthalle Helsinki (Tapio Wirkkala, Saara Hopea, Theodor Käppi, Nanny Still). General Martola leaving for the USA. ‘Red Gold’ e...
The film contrasts young men leaving factory gates, "still at home" with older men "who have to go to war" while their wives and families wait behind. A parade of drill sergeants shows that they are a...
Ordinary life at the borders of Italy with France, Switzerland, Austria and Jugoslavia, between border controls and turism. At the end, the film remarks the Italianness of Trieste, still under allied ...
An amateur compilation of 'Cine Ramblings' including footage of the Eyemouth Maritime Festival, Norham Summer Scarecrow Festival, exteriors of Coldstream House as it was put on the market for sale, an...
Documentary about Hoorn This film about Hoorn focuses on the glorious past of this former VOC city. Hoorn is presented as a typical small town in Holland, where the prosperity of the past is still vi...
A panorama of the city. Views of the main square taken from the area of Hellfire Corner. The Cloth Hall, most of it still intact. Exterior and interior scenes of the cathedral, showing the west door a...
A working class man expresses dissatisfaction about dinner, protesting to his wife that their neighbour still makes suet puddings and dumplings. Sneaking a look through the neighbour's window on the f...
Displaced children in post-war Europe are eventually brought to Palestine. (Source: Steven Spielberg Jewish Film Archive)
Not only in contrast to an untroubled childhood in America but even in co...
German movie poster of "The Innocent" ("... und der Himmel steht still", 1992/93)
Anke Engelke in "Doktor Proktors Pupspulver" (2013/14)
Emily Glaister, Marian Saastad Ottesen (from left to right) in "Doktor Proktors Pupspulver" (2013/14)
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.