Branting is in civilian clothes without shrapnel helmet or gasmask satchel, clearly in a safe part of the area. He is escorted by a Scottish officer. Near Vimy he talks to a British sentry and two Fre...
6th Battalion, the Black Watch of 51st (Highland) Division collecting the men's packs between the Bois de Reims and St-Imoges, having just come out of line on 24 July. 1/5th Battalion, the Devonshire ...
A column of RFA limbers reloads from a dump of 18-pounder shells beside a track before moving forward (possibly near Harlincourt ?). A group of soldiers, possibly Royal Scots Fusiliers, walks in loose...
The visit was organised by the Birmingham and District Professions and General Trades Fund for the Wounded. Outside Queen's College, Birmingham, Major-General Higgins (?) inspects the Americans who pa...
III. A study of the inhabitants as they pick almonds, including a lady "of low caste" (according to the shotsheet) a girl and a veiled lady of high caste. It is not clear whether these are Jewish or M...
Headquarters rear echelon troops of Australian 1st and 2nd Divisions wait at a rail depot in bush hats and full equipment. The same men embark on a train at another place, filmed from on top of the tr...
A British military band escorts the Italians through the streets of Blackpool as civilians watch. In various scenes the Italians wear either undress uniforms with cloaks or their highly ornate full dr...
The King (in Field Marshal's uniform) with the Prince of Wales, General Sir William Birdwood and other officers inspects graves, including that of General Maxwell, on the Ypres ridges on 8th December....
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Dr. Weiser, Der Ernemann-Kinox im Felde, Der Kinematograph, 438, (1915), S. 21. Bericht über die Eröffnung eines Feldkinos. Beigefügt ist ein Bild des Kinos mit seinen Besuchern. Der Verfasser kün...
O. Verf.. "Das Kinoplakat." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Meldung über die zunehmende Hebung des Niveaus von Kinoplakaten. Statt auf grelle...
L. B., Berliner Filmneuheiten, Der Kinematograph, 686, (1920), S. 21-22. "Das Cabinet des Dr. Caligari" wird als bahnbrechendes Werk beschrieben, dass beweise, wozu die Filmkunst imstande sei. "Der Re...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 416, (1914), S. 19-20. Rezension der Kinoneuerscheinungen. Die Zahl der rezensierten Unterhaltungsfilme (in denen Soldaten zwar dargestellt we...
O. Verf.. „Das Programm in Kriegszeiten.“ Der Kinematograph 405 (1914): 8. Obwohl viele Kinos geschlossen hätten, würden die Besucherzahlen in den Kinos immer weiter zunehmen. Dies sei insbesond...
Rosenthal, Alfred. „Kinovorstellungen in Vereinen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 198-200. Ratgeber mit Vorschlägen, wie Filmvorführungen in ...
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...