The general meets the Polish officers. He joins in a mass with the Legion, inspects the soldiers, talks to a few of them and presents decorations to members of the Legion who still survive from Bayonn...
A procession of Chasseurs, led by priests and choirboys, makes a pilgrimage to a cemetery near the battle zone, where, as the civilian congregation watches, a monument is dedicated "To Our Dead".The s...
Before leaving from Port Said, Colonel Brémond, the head of the French mission to the Hejaz forces, is made a Commander of the Legion of Honour by General Bailloud, the chief of the French contingent...
French soldiers in one of the villages on Lake Garda wander around admiring the view. One addresses a letter he has been writing, others groom their horses, others buy food from the street vendors. Be...
The marines, part of the Japanese destroyer flotilla assisting in anti-submarine patrols in the Mediterranean, are rowed ashore from their ship. There are a number of cargo vessels at anchor but no wa...
General Guillaumat, commanding the Army of the Orient, visits an airfield to talk with some of the pilots. The local Orthodox ceremony for Epiphany at a fishing village. The people have crowded into s...
I. Men of Sixth Army board a troop train at a station. Others march along roads to the battlefield, between Noyon and Amiens. Conditions are very foggy. Soldiers rest as a horsed transport column pass...
A 145mm naval gun is stuck in soft ground despite all efforts to pull it clear with ropes. Finally sledges are fitted to the wheels and it is dragged clear. A squadron of Nieuport 28s parked on an air...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Dr. Weiser, Der Ernemann-Kinox im Felde, Der Kinematograph, 438, (1915), S. 21. Bericht über die Eröffnung eines Feldkinos. Beigefügt ist ein Bild des Kinos mit seinen Besuchern. Der Verfasser kün...
O. Verf.. "Das Kinoplakat." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Meldung über die zunehmende Hebung des Niveaus von Kinoplakaten. Statt auf grelle...
L. B., Berliner Filmneuheiten, Der Kinematograph, 686, (1920), S. 21-22. "Das Cabinet des Dr. Caligari" wird als bahnbrechendes Werk beschrieben, dass beweise, wozu die Filmkunst imstande sei. "Der Re...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 416, (1914), S. 19-20. Rezension der Kinoneuerscheinungen. Die Zahl der rezensierten Unterhaltungsfilme (in denen Soldaten zwar dargestellt we...
O. Verf.. „Das Programm in Kriegszeiten.“ Der Kinematograph 405 (1914): 8. Obwohl viele Kinos geschlossen hätten, würden die Besucherzahlen in den Kinos immer weiter zunehmen. Dies sei insbesond...
Rosenthal, Alfred. „Kinovorstellungen in Vereinen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 198-200. Ratgeber mit Vorschlägen, wie Filmvorführungen in ...
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...