The benefits of CUF’s fertilisers for the crop cultivations. Digital item of the film print preserved with the support of CUF – Companhia União Fabril, Consultadoria e Serviços, SA.
The labor in Leixões’ Harbour. Crab, sardine, field fertiliser, the work on the nets. Boa Nova’s lighthouse.
Artistic and architectural elements of the Torre de Belém (Lisbon).
Opening of the dog show in the Lisbon Zoo. Festivities at Alverca airfield.
Horses and people dressing attire from various eras. Parade at Campo Grande, near the bullfight arena.
Greenhouse. Madre de Deus Church. The ruins of Carmo's Convent and of cardinal D. Luís da Cunha’s Palace. São Vicente de Fora, National Pantheon, Lisbon Zoo.
Activities of Mocidade Portuguesa (“Portuguese Youth”): camping, sports demonstrations, marches, parade at Av. da Liberdade (Lisbon, 1938), meeting at the Jockey Club (1939).
Documentary portraying the aforesaid locations and monuments.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.