Newsreel on the 5th International Congress of Vine and Wine: car tour across Portugal, parade of folklore ranches from the different farming regions.
Arrival of Sidónio Pais to the City Council of Lisbon to be proclaimed President of the Republic. Acclamation in the building’s terrace. The Lisbon Garrison troops' parade in Avenida da Liberdade.
Unedited footage. The horse artillery unit of Queluz perform artillery manoeuvres, in the trenches, combat simulation.
Upon today's knowledge, only the image subsists. Typical and folk aspects and beauty of landscapes of Viana do Castelo and its region.
Unedited footage on the Presidential visit to Oporto on the occasion of the 31st January celebrations (1st attempt of a republican revolution)
The film depicts the 3-day excursion of a group of workers of the newspaper “Diário de Notícias” to the aforesaid sites.
The work of Casa do Gaiato (charity institution which houses, educates and integrates into society children and young adults who have been deprived of a stable family background), in Paço de Sousa, P...
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.