A young woman (Smaroula Giiouli) is arrested for the murder of an elderly woman. At the police station she narrates her story, starting from the first year of the war. Her father (Vasilis Diamantopoul...

Two neighbors (Nikos Stavridis and Mimis Fotopoulos) argue constantly because of their different tastes in music. One is a fan of classical music but has financial problems, while the other plays in a...

A large expropriation is at hand in the village of Ano Letinio for the construction of a military airport. Sotiris, the village mayor, as well as a rich landowner called Thanasis, go to Athens to find...

Three men are each looking for their dream-woman. And three different women deal with love, marriage and the future in three different ways.

An elderly collector, Agapon, bequeaths his servant Nikos a map of the area where an exceptionally rare ancient statue is buried. Nikos, in turn, hoping to sidetrack the members of a gang who are wat...

Alexia (Jenny Karezi) is a young woman who comes from the countryside and is in love with the rich Paris (Andreas Barkoulis), who is studying abroad. Her stepmother (Despo Diamantidou) treats her crue...

Poor young Kostas struggles to study law, when he meets the love of his life in the face of Anna, who helps him in his difficult moments. Anna is the daughter of the late industrialist Asteriadis, and...

A guy who can detect oil fields with his nose comes to Greece to collaborate with a big company. His skill gets him into trouble, and he is abducted by environmentalists. Misunderstandings and adventu...

Short critical review of the film. It considers Sam Peckinpah as the heir to Ford and refers to his thoughts on violence on television and in films respectively.

Programme of the cinema club of Pyrgos, a division of the Hellenic Film Archives. This is a programme for the series: “FROM THE FIRST COMEDIES TO THE DRAMA OF CALVERO” (The life and work of Char...

The presentations starts with the association of the director with the musical genre and light opera in Hollywood. The German Lubitsch "was proven to be the greatest of the time" with his distinct hum...

The programme for the screening of the film "Pierrot Goes Wild (Pierrot le Fou)", after details from the credits, mentions: best lines of S. Fuller, R. Coutard, the gangster element and the Vietnam w...

The programme for the film "Made in USA" says that the Film Club has shown almost all of Jean-Luc Godard's films and lists their titles. It includes the credits and comments on the film. Finally, it r...

On the cover of the programme for the tribute to Greek Cinema there is the design for a phenakistoscope (“spindle viewer”), titles of the films and their directors. Inside it refers to each film i...

The "WEEK END", Jean-Luc Godard’s last film ("Pierrot goes Wild ", "La Chinoise", "Alphaville") before embarking on a form of directly political and revolutionary cinema that has nothing to do with...

The text on American Independent Filmmakers mentions: new trends, the underground, directors with artistic aspirations, documentary filmmakers, directors whose subject fail to attract interest, amateu...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS