A taxi-driver (Georgia Vasileiadou), with the help of a friend of hers who works at a kiosk and supplies her with gossip, as well as with the help of another friend, impersonates a medium and does a t...

Just before the end of World War II, Katerina finds among the rubble of a ruined house a small girl, Lina. Thinking that the girl is an orphan, Katerina takes the child home and adopts it, but soon he...

A scientist builds a robot that looks just like him. The robot is capable of any human activity. Since the scientist is rather shy when it comes to women, he programs the robot to make up for his shor...

Three poor friends (Iakovos Kampanellis, Michalis Nikolinakos and Andreas Barkoulis) hope that they can make it in their lives. One day, they meet three young women (Irene Papas, Ntora Giannakopoulou ...

Magdalo, a naïve village girl singing folk songs, travels by train to Athens, where she meets Fonta Georgiou, a double bass player who often gives recitals of classical music. Their radically differe...

A rich layabout, Faidon (Giorgos Pantzas), who is engaged to a girl (Clairi Deligianni) protests that he’s “never gone without”. When a couple (Eleni Anousaki and Giorgos Konstantinou) go to sta...

A fighter of EOKA is arrested by the British. His compatriots, by way of retaliation, arrest the son of a British lady (Zorz Sarri), who is the friend of the British governor of the island. The Cyprio...

A prostitute (Patricia Donalson) kills her pimp (Teddy Douglas) and goes to Mykonos, but she feels that a stranger is following her (Roui Gomez). She stays at some friends’ house and tells them that...

Short critical review of the film. It considers Sam Peckinpah as the heir to Ford and refers to his thoughts on violence on television and in films respectively.

Programme of the cinema club of Pyrgos, a division of the Hellenic Film Archives. This is a programme for the series: “FROM THE FIRST COMEDIES TO THE DRAMA OF CALVERO” (The life and work of Char...

The presentations starts with the association of the director with the musical genre and light opera in Hollywood. The German Lubitsch "was proven to be the greatest of the time" with his distinct hum...

The programme for the screening of the film "Pierrot Goes Wild (Pierrot le Fou)", after details from the credits, mentions: best lines of S. Fuller, R. Coutard, the gangster element and the Vietnam w...

The programme for the film "Made in USA" says that the Film Club has shown almost all of Jean-Luc Godard's films and lists their titles. It includes the credits and comments on the film. Finally, it r...

On the cover of the programme for the tribute to Greek Cinema there is the design for a phenakistoscope (“spindle viewer”), titles of the films and their directors. Inside it refers to each film i...

The "WEEK END", Jean-Luc Godard’s last film ("Pierrot goes Wild ", "La Chinoise", "Alphaville") before embarking on a form of directly political and revolutionary cinema that has nothing to do with...

The text on American Independent Filmmakers mentions: new trends, the underground, directors with artistic aspirations, documentary filmmakers, directors whose subject fail to attract interest, amateu...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS