Lazaros from Gastouni finds a job in Athens as a tourist agent and attracts tourists, disguised as Kitsos. He gets involved in various misunderstandings, match-making and, in the end, he marries his b...

A sweet and rich shepherdess is in love with a poor shepherd and so turns down the proposals of a chief shepherd. This chief shepherd blames her beloved for a theft – which, of course, the poor shep...

A seamstress (Rena Vlachopoulou) who has financial problems, wins 20 million in the lottery but loses the lucky lot. The media try to benefit from this incident, and the sewing maid is surrounded by s...

Angeliki (Pemi Zouni) is accused by her mother of ‘living in her own world”. She rebels when her family decides to commit her autistic sister (Dimitra Chatoupi) to a psychiatric hospital. She take...

Aris, a race driver, meets a guy who looks incredibly like him. With evident curiosity he tries to find out, from his friend Dimitris, who this identical “stranger” is. He finds out that his name ...

Theodosis Mentikas is a poor guy who lives in a run-down neighbourhood in Athens. He works at the amusement park where he runs a “tent of miracles”. One day, he finds out from a lawyer that he has...

A crook (Dionysis Papagiannopoulos) meets in prison a young man who has inherited a rocky islet. With the assistance of his friend (Aleka Stratigou), they try to sell the islet to a rich American. The...

The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...

Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...

The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...

The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...

The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...

The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...

Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...

It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...

STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].

Monthly publication of cinematic art. Illustrated.

STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].

PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...

Weekly publication featuring a variety of topics on cinema. Page 461 is selected: "Save yourself from stage fright. The troubles of being on stage". 8th FORMAT

DECOUPAGE WITH DETAILED REFERENCE TO THE NUMBER OF SCENES, IMAGES AND SHOTS.

PLAYBILL OF THE “TIMES SQUARE THEATRE”, 20 APRIL 1924, ANNOUNCING THE FILMS THAT WILL BE SHOWN. IT INCLUDES MANY PHOTOS FROM THE GREEK FILM “THE GIPSY WOMAN FROM ATHENS”.

STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.