Scenes of everyday life in Turin: the Racecourse of Mirafiori (Turin) in the late 1930s; the Parco del Valentino; the Po river with a small boat near Ponte Vittorio Emanuele I; the dam “Michelottiâ€...
The melancholy story of a juvenile love in the early twentieth century Turin: the student Mario meets and gets engaged to the seamstress Dorina, his landlady’s daughter. A beautiful and bored lady d...
Germany, the year 1930: With his epic "Nibelungen" movies and the futuristic spectacle "Metropolis", filmmaker Fritz Lang has created instant classics of silent cinema. Now he is eager to make his fir...
Documentary film about the life and work of Max Emden (1874-1940). He grew up as the son of a long-established Jewish merchant family in Hamburg, who at the beginning of the 20th century turned the fa...
Germany, the year 1930: With his epic "Nibelungen" movies and the futuristic spectacle "Metropolis", filmmaker Fritz Lang has created instant classics of silent cinema. Now he is eager to make his fir...
War documentary filmed in Val Camonica (Brescia). The film begins with images of supplies being downloaded from a train at the station of Edolo. Bread, tins of beef and cheeses were destined for the s...
(Reel 1) The film opens with unrelated scenes of the Western Front, mainly the Marne and Château-Thierry areas. Then Theodore Roosevelt beside the grave of his son Quentin. Behind-the-lines scenes of...
Several different newsreel reports, starting with images from Lugano in Switzerland (stencil colored, 20m) without any intertitles. Then boxing children, Regatta in Miami, roller scating student prote...
André M. Hennicke, Maria Kwiatkowsky, Max Brauer (v.l.n.r.)
Mike Adler, Florian Renner, Elyas M’Barek (v.l.n.r.)
Szene mit Oliver Stokowski (1.v.l.) und Christoph M. Orth (1.v.r.)
Gerhard T. Buchholz, Frank Wisbar, M. Lichy, H. Deterling (v.l.n.r.) bei den Dreharbeiten
Bianca Karsten, Christoph M. Orth, Tamara Simunovic (v.l.n.r.)
Elyas M"Barek, Sibel Kekilli, Matthias Schweighöfer (v.l.n.r.)
Oliver Stokowski, Carin C. Tietze, Tim Bergmann, Christoph M. Orth (v.l.n.r.)
Steffi Kühnert, André M. Hennicke, Oskar Böckelmann (v.l.n.r.)
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Prager Tagblatt, 203
Prager Tagblatt, 203
Filmwelt, 21/xx
(Der) Kinematograph, 117/xx
(Der) Kinematograph, 131/26