I. The build-up to war from the earliest days of film record, showing the various crowned heads of Europe.II. The Balkan wars of 1912, the development of Germany's Navy, and the inauguration of Presid...
(Reel 1) The training of a naval cadet - Pangbourne, HMS Worcester, HMS Medway. (Reel 2) Scenes from the building of a merchant vessel. Shots of a Standard Tanker being launched on the Clyde, female d...
Medium long shot silhouette off starboard bow of HMS Malaya steaming with guns trained over the beam - the cameraship changes its bearing during the sequence from starboard bow to dead ahead to port b...
The film dedicated to Czechoslovak legionnaires in the First World War begins with symbolic shots illustrating the outbreak of the war conflict - title Sarajevo, animated map of Europe afire and a det...
I. The first sequence consists of static or stop-action scenes of a number of gas masks or gashoods displayed one at a time against a white background. Firstly the British P or PH gashood of 1915 with...
Medium shot of Thornycroft V Class destroyer steaming at speed. Medium long shot off port quarter of two battleships - the nearest is HMS Canada preceded by an Iron Duke flying a kite balloon. Long sh...
I. 'BLESSING THE SHELLS. A French Priest blesses the shells as they are loaded into the famous seventy-five' (sic) guns used by the French Artillery.' Bearded priest holding a crucifix, makes a benedi...
I. 'THE PIGEON AS POSTMAN. Taken up on motor cycle to the trenches the birds except for casualties, never fail to reach "home" behind the lines where the telegraphist sends on the message.' Pigeons ar...
Peter Lorre, Fritz Odemar, Gustaf Gründgens, Theo Lingen, Paul Kemp (vorne, v.l.n.r.)
Peter Lorre, Inge Landgut
Peter Lorre
Nora El Koussour in "Layla M." (2016)
Ulrike Krumbiegel, Katrin Saß (v.l.n.r.)
Nora El Koussour in "Layla M." (2016)
Katrin Saß
Nora El Koussour in "Layla M." (2016)
Rozšířený censurní sbor poradní (Extended Censor Advisory Board) suggested complete interdiction of the film "Vrah mezi námi "M" ".
Arbeiterbühne und Film, 6/18