Episodes of daily life in the region of Beira Baixa, its monuments and industries. Views of Sabugal, Caria and Quadrazais. Images of the bottling of Caria’s Water and of a wild boar hunting.
Incomplet. The film follows the arrival in Lisbon of a UFA delegation to shoot some of the scenes of Estupefacientes/Der Weisse Damon (Kurt Gerron, 1932) and its french version (Stupéfiants).
A film about chestnut groves. Images of chestnut harvesting and processing, chestnut roasters and street sale.
Views of Estoril – casino and garden, villas, hotels and palaces, beach, train station, tennis court.
Launching of the aerial squadron initiating the cruise to the African colonies from the Aerodrome of Amadora.
Footage of several fire drills.
Compilation of films produced in 1903: the Royal Majesties assist the opening of the Afonso de Albuquerque’s Memorial; at a Procession; in Batalha’s Monastery.
Aviation exhibition.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.
Report on the release of the film.
Film-programme of the session presenting the documentary film.
Film-programme of the session presenting the documentary film.
Programme adverstising the 1908’s session of the film 'A grande caçada no Gerês' (Fournier, 1908).