Carnival parade in Av. da Liberdade, Lisbon. A car promotes the film ‘Gado Bravo’. Sport clubs: Clube Atlético de Campo de Ourique, Sport Lisboa e Benfica.
Unedited footage. Documentary about the monarchical incursions in Chaves. Reconstitution of the arrests of monarchical insurrectionists. Real images of the insurgents in prison.
Unedited images. Horse riding.
Incomplet. Ílhavo’s shipyard. Views of the christening and launching of the cod-fishing lugger ‘Brites’.
Landscapes of Caramulo.
Incomplet. The School of Cavalry and the field instruction: slope and entering the water in a horse exercises. As some slopes are almost vertical, fallings are inevitable.
Parade of the Festa dos Tabuleiros (“Festival of the Trays” – a Thanksgiving and Offering which is one of the most ancient cultural and religious manifestations in Portugal), in the city of Toma...
Landscapes and textile industry of Covilhã. Pasture areas, weaving and wheel factory, the wool's processing. Vegetables' market.
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
film frame
portrait
Film frame
portrait
Film frame
Criticism on the weaknesses of the Portuguese documentary films included by law in every cinema-shows.
On the film potential in the domain of tourism. An incentive for that type of film.
On some weaknesses of the protection law stipulating the inclusion of 100 m footage of Portuguese documentary films in commercial scéances.
Notes on the first film exhibitions in Portugal and on Portuguese early films.
Notes on the huge development of documentary film, namely in Germany.
Commentary on the film work of Artur Costa de Macedo.
Film review of 'Alfama, velha Lisboa'.
Manuel Antunes Amor reports on his documentary works in the East.