Unedited footage. The footage depicts a release of bulls in the streets, which are then fight by several horsemen and bull herdsmen as a test to their fierceness ('tenta') in an open land in Vila Nova...
One of the earliest Portuguese films, by Aurélio da Paz dos Reis, frequently refered to as the first portuguese film director, shows the stunts of a trapeze artist in a garden.
Images on the arrival in Lisbon of the German Emperor Wilhelm II for an official visit.
Documentary film of the South Atlantic aerial crossing, from Lisbon to Rio de Janeiro, by Gago Coutinho and Sacadura Cabral in 1922.
Touristic sites of the Graça area, in Lisbon: churches (Penha de França, S. Vicente de Fora, Graça), Flea market, J. de Castilho bust and Estrela d'Ouro neighbourhood.
Views of several locations in the North of Portugal: Melgaço and Viana do Castelo, the Senhora da Agonia Festivities, Lamego, the river Vouga railway line, the river Leça, Oporto and Gaia.
Amateur film; unedited footage. Images of the North of Portugal: a traditional parade, a horse show, a train on the banks of the Douro river, washerwomen, oxen carts, villagers and sheperds.
The monuments and landscapes visited by the group excursion.
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
film frame
portrait
Film frame
portrait
Film frame
Report on the release of the film.
Film-programme of the session presenting the documentary film.
Film-programme of the session presenting the documentary film.
Programme adverstising the 1908’s session of the film 'A grande caçada no Gerês' (Fournier, 1908).
Film programme of the session exhibiting the films 'A Panthera de Laos' and 'Na praia da Figueira da Foz' (1908).
Interview with the film operator and director about his work.
Interview with camera operator Daniel Quintin.
Film reviews of «Hell's angels», «All quiet on the western front» and «Lisboa Crónica anedótica» (Leitão de Barros, 1930).