International newsreel. Most of the content is news about the war, and especially about the serbs. We also see American nurses on their way to the front. There are also some sportscasts.
Animated film from Petrograd paying homage to the Russian revolution of 1917.
Fridtjof Nansen was the leader of The League of Nations' repatriation work for prisoners of war after World War I. This film shows a LN meeting in Geneva, probably in 1920, and soldiers on their way ...
Young Espen has been wrongfully accused of a theft at school. Worried that no one will believe him, he runs away from home, boards a ship and experiences many adventures. When he later escapes the clu...
Claire is the beautiful daughter of the director of the steelworks. Revolutionaries storm the director's estate during a strike, and the director is killed. Worker Albert Fjeld remembers that Claire h...
Young Alexander Snobman is the son of the town's richest sausage maker, and the neighbour of Philip Helt, an up-and-coming engineer. Both of the young gentlemen are captivated by the dancer Eva Sommer...
Jonas, the lord of the manor, and Ahti the Finn have been close friends for years. When Jonas's sister is attacked by a gypsy, Jonas and Ahti come to her aid, and the gypsy is badly beaten. Soon after...
Baron Felix and Madame Vera Wadjevska, a pair of con artists, have gotten their hands on a manor in Oslo, after stealing the deceased owner's identity papers while abroad. The dead man's nephew, Helge...
Still from "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Still from "Dämonit"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Lyda Salmonova
Gustav Fröhlich, Lars Hanson (from left to right)
Still from "Rübezahls Hochzeit"
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...