A short drama about a widower who is persuaded by his children to remain faithful to his deceased wife.
A short silent film in which an escaped prisoner saves a girl from wolves.
A short romantic adventure film about a woman traveling to South Africa who experiences a romance. After a shipwreck with her lover, she winds up in the jungle, where she almost gets eaten by li...
A fantasy film about the knight Parsifal, who has to protect the Holy Grail from wizards.
Promotional film for the Alhambra Theater in Vlissingen Promotional film of the Alhambra in Vlissingen, where visitors to the theatre could win fifty guilders if they recognized the people who appeare...
Crime drama about a postal employee for the railways who is falsely accused of theft after a robbery on a train. His wife finds out who the real culprit is.
A melodrama in which a woman who is the president of a charitable organization takes care of an unwed mother. This becomes a tragedy when it turns out that her own fiancé is the child’s father.
A short Western about a bandit who saves the daughter of the sheriff.
Steve Coogan (front) in "Shepherds and Butchers" (2015/16)
Maggie Peren
Christobal Farais (second from left), Rifka Lodeizen in "Messi and Maud" (2017)
"Messi and Maud" (2017)
Rifka Lodeizen, Christobal Farais in "Messi and Maud" (2017)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.