Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
German movie poster of "The Farmer and I" (2013-16)
Irja von Bernstorff (second from the right), Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
A family holiday around Firth of Clyde and beyond on various boats. Includes a trip to Belfast and a trip 'Doon The Watter' on the Waverley.
The Gathering at Glenfinnan in the Highlands to mark the 200th anniversary of raising the standard of James VIII of Scotland and III of England.
An illustration of the various outdoor activities by youth groups at Glenmore Lodge in the Cairngorms.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Volker Michalowski, Veronica Ferres, Gael García Bernal (in the front from left to right) in "Salt and Fire" (2015/16)
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Richard Ostwald Film GmbH, Anders als die Andern (§ 175), Der Kinematograph, 635, (1919), S. 34.
Anzeige für Werbeschilder.
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Richard Ostwald Film GmbH, Die Prostitution, Lichtbildbühne, 50, (1918), S. 74-75. Werbung für einen Film über die Prostitution.
Memo for "Das verbotene Paradies".