A documentary about religious rituals related to the passion of Christ as they are portrayed in different but similar ways in countries around the Mediterranean.
A group of ELAS (Greek People’s Liberation Army) partisans undertake a very dangerous mission. Among its members are experienced demolition experts, such as private Memos and captain Angelos, who is...
Two friends (Takis Moschos and Minas Chatzisavvas) live together in the house which was turned over to them by a third friend (Thanasis Mylonas). They follow a peculiar rhythm of life, spending their ...
Andreas Galanis’ return to his island awakens hatreds and passions from the past. The poor inhabitants of the mountain village Agrilia make their living through logging and every day face the abuse ...
Journalists Dimitris and Christina (Lampros Konstantaras and Maro Kontou) are a married couple who regularly quarrel, chiefly because Christina keeps referring to an old love affair with a man named S...
A literature professor gets a job at a high school famous for its untamed students and suffers from their pranks. When he falls in love with one of his students, however, he reveals another side of hi...
Theophilos Chatzimichail (Dimitris Kataleifos), the legendary painter from Lesbos, drops western garb and begins to wear the traditional Greek outfit. He often dresses like the national heroes he pain...
A prisoner of war who has escaped from Albania claims to be a Greek Army Major named Alexandros Vergis. This causes great confusion in the army, since Vergis had escaped a year earlier and now works f...
Starts with a reference to the contribution of the Film Archive that will present the major part of Bresson's work to the Greek public. An analysis of his work with references to other movies of the d...
Program of the Pyrgos Cinema Club, a branch of the Greek Film Archive. The film analysis is authored by the critic Vasilis Rafailidis. “MAMA ROMA” is Pasolini’s second film following the maste...
The program of the screening of the film "The Man in the White Suit " initially features a comparison to other films by the same director. It then describes the comedy’s plot and characterizes the f...
The programme for the film "Vila Villa" refers to Pancho Villa's personality and legend, the exorbitant cost of the super production with a multitude of extras, the contribution of actor Wallace Beery...
The notes, written by Aglaia Mitropoulou, make thorough reference to the films that have been shot based on Shakespeare’s play ROMEO AND JULIET, and especially to the great stars that played the par...
In the programme for the screening of the film "The Valley" we first find information from the credits followed by reference to the director and the titles of his films. Then, it describes the plot a...
The programme for the film "Song of Love" after details from the credits, mentions: Luigi Pirandello and the play "Silence", reversal, irony, love, the contemporary theatre-goer, TV serials, self-iron...
The illustrated programme for the exhibition organized by the Greek Film Archives and the British Council entitled “The Birth of Cinema”, contains information under the following titles: the illum...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS