The curse of the Romanovs’ black diamonds haunts three people who are involved in their transport to Greece.
A worker (Giorgos Tzortzis) asks for the hand of the daughter (Eleni Anousaki) of his powerful boss (Lykougros Kallergis) in marriage. His boss dismisses him, but he starts his own business with the h...
The camera of a young man goes from hand to hand, and we follow its peregrinations following its theft from the workshop of the technician who was going to repair it.
A widowed taverna owner (Petros Kyriakos) tries to improve himself in order to please the aristocratic family of his son's (Giorgos Kampanellis) wife (Gkelly Mavropoulou). He manages to change things ...
A film adaptation of a play written by Dimitris Ioannopoulos. The director, Antonis Papadantonakis, was known for his cheap, shoddy films as well as his conceit over how he could always get the equipm...
After his boss’ death, Stathis, who is the manager of the company, marries his late boss’s daughter. Her mother, however, who is one of the major shareholders, wants to run things herself and so s...
This is a documentary about the relationship of the Mediterranean people with the olive tree. It shows the symbolism and the actual daily presence of the olive tree and oil in the lives of the people ...
Programme for the ATHINA cinema Single-sheet programme listing: the name of the cinema, the title of the film currently showing: "THE TERRIBLE LOVERS", the plot and the rating: “Unsuitable for mino...
Programme for the PANTHEON Cinema. The cinema's logo is set in artwork on the front page and shows a girl holding a film strip and stepping on the globe. The cinema is the official screen for the Ame...
"Segmented film with traditional cinematic narration" is characterized the movie in the first phrase while in the last one as "the first and last German film of the communist labor expression". "A dis...
Brief critique presentation of the movie with data about the course of the director and his favorite leading actors. "A drama about friendship and charity".
The MEDIA LUZ Cinema Program. On the front cover: Today’s film “The years we were apart”. Handwritten annotation “15-7-1947”. On the back page, the film synopsis. On the back cover: “Our c...
Programme for the GLORIA Cinema Flyer with the name of the cinema, film's title, "LOVE AFFAIR", cast, Charles Boyer and Irene Dunne, synopsis and rating, "Unsuitable for the underage".
The note begins with the information that Ridley Scot's film "ΒLΑDE RUNNER" is adapted from a book by Philip Dick and then looks into the plot in detail: at the beginning of the 21st century, Tire C...
A lengthy presentation that is more involved with the playwrights of Pirandello whose "theocratic transcription" is this movie. Thoughts on the limits between theatre and motion pictures (or stage and...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS