A description of various ways in which the Labor Day, on May 1, 1951 was celebrated. The contrast is built between nature and mechanical labor, which is highlighted. The series of parades in Prague ar...
The film explains the electrification of the Paris-Lyon line and presents its advantages, both in terms of rail traffic and for the national economy. The different phases of the work are detailed, fro...
The destruction of the Caronte viaduc in 1944 by the German army deprived the region of vital maritime and rail links. In 1947, before undertaking the final reconstruction of this bridge, a provisiona...
Apprentices's celebration at the Vélodrome d'hiver (parade in front of the official stand and folk entertainment) ; exhibition on urban planning ; reminder of the importance of respect for safety for...
War damage in Cologne. The camera pans across ruins but also piles of rubble and largely cleared areas. The whole area appears deserted, inhabited only by a few women and children.
Paris, March 10, 1945: from the Gare de Lyon to the Père Lachaise cemetery, the funeral of Pierre Semard, shot by the Germans on March 7, 1942. Raymond Tournemaine, general secretary of the C.G.T. Fe...
Visit in the lubéron. At the exit of a church, priests. Traditional and religious festival in the street. Folk parade, young girls and boys are in costume. The inhabitants parade in company of the pr...
Meeting of displaced persons, especially from Torschau (today Savino Selo in Serbia): film footage from Kirchheim unter Teck, Winnenden, Waiblingen, Wolfratshausen, Neckarsteinach, Unter-Schönmattenw...
Olaf Fönss
Still from "Sperduti nel buio"
Still with Karen Sandberg (first from the right)
Still with Karen Sandberg (in the middle, bottom)
Frederik Buch, Karen Sandberg
Rita Sacchetto, Olaf Fönss
Nicolai Johannsen, Rita Sacchetto
Still with Olaf Fönss
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...
Dialogue list (excerpt) for "...und abends in die Scala".