"I monumenti italiani e la guerra" is a documentary showing the vast war damages on Italian art heritage, as well as the long but mostly successful restoration process that followed. It was realised b...
Report on the "Fines" operation which consists in fining everyone who is caught red-handed 900 francs, whether they are pedestrians or motorists. A competition to find the best policeman and the best ...
Austrian Headquarters for Jewish Agency, man at table, in headquaters, people boarding buses, through Austria, Sign "Camp CH.N.Bialik, street Jewish Agency Palestine Immigration office, sending goods ...
To manage the increase in the number of school children and students, classrooms in prefabricated materials have been installed in schools and colleges which have become too cramped.
Le Havre is the most destroyed harbourg on the continent. While the war is over, men clear the ruins to make room for the new docks. Commentary on aerial views of the port and the excavation and recon...
Through Charley's journey, the cartoon seeks to underline the disadvantages of traditional cities and the need for new, functional and hygienic cities.
This cartoon seeks to persuade us of the di...
After having joined Italy again in 1954, the city of Trieste witnessed the flourishing of trade port and an increase of the employment rate. Some of its former citizens left Yugoslavia and moved to th...
The documentary shows the efforts to rebuild, firstly in a temporary and then in definitive, the principal railway stations and lines to reconnect physically and economically the entire country.
The city of Warsaw is in ruins. A ceremony commemorates it, in the presence of Boleslaw Bierut and of the French Ambassador.
A presentation of how life of pacients in the spa town Poděbrady looks like told through a perspective of a patient. The film deals with the cultural and sports life of the city and its history.
Roger Gillet (1916-1974), a mechanical modeler by training and later head of a carpentry-cabinetmaking company, was a member of the PCF in the 20th arrondissement of Paris // In the mid-1950s, he took...
The ruins left by the war will be replaced by cities and buildings designed by architects. We already see some of their achievements, compared to the monuments of the past.
Living conditions are difficult for many elderly people in this winter. This episode denounces that French people who worked all their lives, fought during the WWI and gave their sons during this last...
The foreman at the construction site for a new dam in the Austrian alps explains to the audience, why electricity provided by water power will be key for the economic recovery and technological modern...
The latest electric locomotives, the 2D2 5500 combines comfort, speed and safety. The film follows the production, the routing and the transformation of the electric energy necessary for modern electr...
A documentary about youth brigades that are being offered for the reconstruction of Lidice. The film recalls the tragedy of Lidice and describes the work of international youth in the construction of ...
Zensur, Oberprüfstelle O.1256, 5 Akte 1700 m. (1703 m. vor Zensur), Quelle: Jahrbuch, Jugendverbot.
Hellwig, Albert. „Müller-Sanders: Die Kinematographenzensur in Preußen. Heidelberger Dissertation 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 144-14...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...