Before the revolution, it served as a regular prison for Batista's political adversaries. The patients confined there lived a life in incredible misery. We visited the hospital on a hot day in July 19...
So close to the source is the jumping dancing stream of colours that no forms or shapes can be captured. The thunder of creation is so loud, so strong, that the joy of movement foreshadow future possi...
A few lines about a few minutes' peace of mind, made visible: I am half in a dream / half awake / when I'm left all alone/ all at peace / then I know / more than I thought / I knew / about the deeper ...
Drozdov talk of his understanding of 'freedom'. He compares present freedom as it used to be in the Ukraine; he describes how close friendships, earlier as now, create a space in which a feeling of fr...
About vagabonds. The film shows scenes from the everyday lives of vagabonds, about being on the road. Not necessarily every single day of the year. How they provide themselves with the necessities of ...
A successful young woman lives a seemingly perfect life. She has an ideal husband, an exciting job as a fashion photographer, but something is not quite right. In her dreams, she is confronted by an u...
Barney Richards is 37 years old. He lives with his mother in a provincial town. One night at the local discotheque he bumps into Gavin, an old aquaintance, who is doing well in the capital. Suddenly, ...
Carsten, a 50-year-old, married high-school teacher, is having an affair with Pil, a much younger woman, who is politically active. Carsten's wife, Nina, wants a divorce. Pil is involved in a politica...
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Veronica Ferres, Michael Shannon in "Salt and Fire" (2015/16)
Szene mit David Thornton
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
English dialogue list (excerpt) for "The Death-Ray Mirror of Doctor Mabuse".
Zensur, Oberprüfstelle O.1256, 5 Akte 1700 m. (1703 m. vor Zensur), Quelle: Jahrbuch, Jugendverbot.
Hellwig, Albert. „Müller-Sanders: Die Kinematographenzensur in Preußen. Heidelberger Dissertation 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 144-14...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".