Before the revolution, it served as a regular prison for Batista's political adversaries. The patients confined there lived a life in incredible misery. We visited the hospital on a hot day in July 19...
So close to the source is the jumping dancing stream of colours that no forms or shapes can be captured. The thunder of creation is so loud, so strong, that the joy of movement foreshadow future possi...
A few lines about a few minutes' peace of mind, made visible: I am half in a dream / half awake / when I'm left all alone/ all at peace / then I know / more than I thought / I knew / about the deeper ...
Drozdov talk of his understanding of 'freedom'. He compares present freedom as it used to be in the Ukraine; he describes how close friendships, earlier as now, create a space in which a feeling of fr...
About vagabonds. The film shows scenes from the everyday lives of vagabonds, about being on the road. Not necessarily every single day of the year. How they provide themselves with the necessities of ...
A successful young woman lives a seemingly perfect life. She has an ideal husband, an exciting job as a fashion photographer, but something is not quite right. In her dreams, she is confronted by an u...
Barney Richards is 37 years old. He lives with his mother in a provincial town. One night at the local discotheque he bumps into Gavin, an old aquaintance, who is doing well in the capital. Suddenly, ...
Carsten, a 50-year-old, married high-school teacher, is having an affair with Pil, a much younger woman, who is politically active. Carsten's wife, Nina, wants a divorce. Pil is involved in a politica...
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...