The men sit at a table in the open air, using a loading machine attached to the table to fill the cloth belts.A heavy gun fires, completely concealed by a tent with only its barrel showing, but possib...
In Trafalgar Square a big placard has been placed across the plinth of Nelson's Column, reading "England Expects This Day That Every Man Will Do His Duty". People crowd the square. Around the plinth a...
Troops train with the gas-hood, which fits rucked up around the cap like a cap-band. The men crouch behind a barricade of logs. Smoke, representing gas, drifts over them and they pull down the hoods. ...
Sarrail, with an escort of lancers in parade dress, rides past a guard of French soldiers and through an improvised arch ("arc de triomphe"), half-silhouetted against the sea. Sarrail arrives at Lembe...
The film describes the prisoners as the "result of the great French victory in Champagne". They are led into a large cultivated area, standing in 'blocks' of a few hundred men. Dragoons, apparently in...
The men of the division march past Lloyd George and Hughes (who is in uniform). Prominent is the division's kilted regiment, 72nd (Seaforth Highlanders of Canada) Battalion. Lloyd George delivers a sp...
The film's scenes are out of sequence and its title appears nearly half-way through. As it stands, it opens with soldiers filling sandbags and digging a trench line. Scottish troops on the march with ...
Students from Charing Cross Hospital are taken by an open-topped bus to Richmond Rugby Football Club grounds, where, most of them in fancy dress, they hold a mock rugby match, 'fighting' for a small f...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...