The men sit at a table in the open air, using a loading machine attached to the table to fill the cloth belts.A heavy gun fires, completely concealed by a tent with only its barrel showing, but possib...
In Trafalgar Square a big placard has been placed across the plinth of Nelson's Column, reading "England Expects This Day That Every Man Will Do His Duty". People crowd the square. Around the plinth a...
Troops train with the gas-hood, which fits rucked up around the cap like a cap-band. The men crouch behind a barricade of logs. Smoke, representing gas, drifts over them and they pull down the hoods. ...
Sarrail, with an escort of lancers in parade dress, rides past a guard of French soldiers and through an improvised arch ("arc de triomphe"), half-silhouetted against the sea. Sarrail arrives at Lembe...
The film describes the prisoners as the "result of the great French victory in Champagne". They are led into a large cultivated area, standing in 'blocks' of a few hundred men. Dragoons, apparently in...
The men of the division march past Lloyd George and Hughes (who is in uniform). Prominent is the division's kilted regiment, 72nd (Seaforth Highlanders of Canada) Battalion. Lloyd George delivers a sp...
The film's scenes are out of sequence and its title appears nearly half-way through. As it stands, it opens with soldiers filling sandbags and digging a trench line. Scottish troops on the march with ...
Students from Charing Cross Hospital are taken by an open-topped bus to Richmond Rugby Football Club grounds, where, most of them in fancy dress, they hold a mock rugby match, 'fighting' for a small f...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.