The film is slightly disjointed and concentrates almost exclusively on the parade ground. The station clearly operates aircraft (which are never seen) for some of the men, mixed indiscriminately with ...
An officer, possibly Major-General H B de Lisle, presenting medals to a kilted battalion, who then march past. A pan over a group from the battalion sitting and smoking. They are possibly the Canadian...
Floral tributes are piled outside the door to the Cathedral's Beauchun Chapel, looked after by two nurses. The funeral procession passes through the streets of the city, including soldiers with arms r...
Taken at the school on 9 March 1916, this film shows in detail the firing procedures for the 6-inch 26cwt howitzer, the 8-inch Mk VI howitzer and the 9.2-inch Mk I howitzer with the new Type 106 graze...
An escort of Indian Cavalry, followed by the Royal Horse Guards, leads the Coronation Coach up the Mall. Just visible in the coach are Edward VII and Queen Alexandra. Various dignitaries, led by the P...
The coronation procession passes through Admiralty Arch. It is led by the Life Guards, two of the state coaches, then the Yeomen of the Guard, senior Army officers, representative Imperial troops, and...
A long pan over a Weymouth Class light cruiser at anchor, showing it in some detail. On shore a Royal Navy commander hears a speech from the local mayor, and receives a presentation. The sailors then ...
The film is very dark throughout, making identification difficult. The competing aircraft are chiefly Farman Longhorns, Farman Shorthorns and Morane-Saulnier monoplanes. They take off, crossing a star...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.