The men march down a road towards the camera in a totally featureless landscape, all very smart, officers riding very clean horses. They rest by the roadside, and cheer the camera as it pans over them...
The camp Nissen huts show damage from the bombs. The women stand around watching. A view of Abbéville (?) with the smoke rising in the background. (The film is broken here by an unrelated scene of sh...
I. At the show an RHA troop demonstrates a fast gallop followed by a controlled trot. A jumping race for riders of one horse while leading another horse on a tight rein. Wrestling on horseback and a f...
One of the bombers taxies, checked by mechanics as it does so. Another is brought out of its hangar with its wings folded and prepared for flight, the wings being straightened and ladders put up to th...
I. The dogs, a mixture of terrier mongrels, are paraded with their handlers and taken for walking exercises. They are given a course to run over unescorted which includes fences and barbed wire to jum...
Only the brake-wheel can be seen of the train, and for part of the time a lance-corporal brakeman with his back to the camera. The track moves through the rubble, clay and destroyed villages of the ar...
An RAMC doctor, probably Major Paterson, who was doctor in Hebron for 31 years before the war, talking to a group of Arabs; followed by a slow panorama of Hebron, ending at the mosque. Palestine Front...
(Reel 1) The film has a comic acted character, the "awkward soldier". He and his fellows arrive at the school and are instructed in the lorry's engine and gearbox, which are shown running opened up wi...
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 633, (1919), S. 49-50. "Die Lieblingsfrau des Maharadschas" wird als sentimentaler Kitsch abgetan. "Irrungen" handle vom Kampf...
Luxor, Sylva: "Kino, Monarchie und „Vorwärts“" Der Kinematograph 389 (1914). Entgegnungen auf die Vorwürfe der sozialdemokratischen Presse, dass das Kino die Herrschaftsinteressen der Monarchie ...
Häfker, Hermann. "Der Weg zur Kinodramatik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/ 1914). H.H. erklärt den Film zu einer anderen Künsten gegenüber gleichran...
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...