The howitzer is in a leafless wood. Its crew remove its camouflage, load the howitzer and elevate it (this is the number 4 gun of the battery). They uncover a pile of shells and roll them forward read...
The ceremony takes place in a field, with men of Plumer's staff watching as he pins medals for bravery onto women officers of the Queen Alexandra's First Aid Nursing Yeomanry and the Voluntary Aid Det...
I. Women use various types of heavy plant, chiefly lathes or punches, to make Lewis machine guns. One group rivets on the retaining pieces to the ammunition pans. Spraying the ammunition pans. Making ...
A pan over the valley with Asiago village in the distance. A British lorry convoy comes up a hairpin track to the top of a mountain ridge. Asiago, filmed from the British lines across the valley. Brit...
The men put on their equipment, showing very clearly how full marching pack and equipment was worn. They assemble by their bell tents and, led by two regimental colours (standards) and their band, the...
The divisional commander, Brigadier-General F S Meighan, shows the journalists around the training area. (Very broken film, extremely hard to follow.) The men are engaged in various kinds of training:...
A selection of the most visually attractive film taken by the British official cameramen during March and April (for the GERMAN OFFENSIVE series) without regard to date or place, padded out with stock...
Probably filmed mostly before 8am (as fog is everywhere on the horizon) and on 2nd Australian Division front. Pioneers advance in single file with spades and rifles using white tapes on the ground to ...
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 633, (1919), S. 49-50. "Die Lieblingsfrau des Maharadschas" wird als sentimentaler Kitsch abgetan. "Irrungen" handle vom Kampf...
Luxor, Sylva: "Kino, Monarchie und „Vorwärts“" Der Kinematograph 389 (1914). Entgegnungen auf die Vorwürfe der sozialdemokratischen Presse, dass das Kino die Herrschaftsinteressen der Monarchie ...
Häfker, Hermann. "Der Weg zur Kinodramatik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/ 1914). H.H. erklärt den Film zu einer anderen Künsten gegenüber gleichran...
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...