Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
The battalion parades outside a virtually undamaged château. The men wear shrapnel helmets but look quite smart if very tired. They are briefly inspected by their commanding officer (face not seen). ...
The battalion on parade is inspected by its commanding officer (not seen). Men repack their kit after an open-air kit inspection. Some of the men sit resting and eating in the open; one reads the 'Dai...
Views of the camp, showing that "prisoners have ample room for exercise". The prisoners' band of mandolins, violins and drums plays to an audience of prisoners in the open. Prisoners help to unload a ...
The battalion, led by its band, on a route march down a tree-lined lane. A group of the battalion officers. A party of signallers practising training exercises. The band marches up and turns in format...
The battalion and band, with mounted officers, march along a dirt road. The men rest outside the canteen drinking tea. Others play in a river and millpond, including a friendly game of water-polo. A b...
The battalion Transport section cleans and maintains the wagons (note the 'four eights' divisional sign of 32nd Division). The wagons move out through a village. In the blacksmith's yard the horses ar...
The guard changes over outside the battalion headquarters. The battalion sports including "a cuddy fight" (wrestling while being carried on another man's back) and "a reveille race" of dressing in ful...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...
O. Verf.. „Kino und Kirche.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 73-74. Beschlüsse der Fuldaer Bischofskonferenz von 20.8.1913. Schulpflichtigen ...
Dr. Hellwig. "Plakatwesen in Bayern." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Das Anbringen von Filmplakaten sei ohne polizeiliche Genehmigung noch imme...
Kriegsabenteuer eines Kino-Operateurs, Der Kinematograph, 437, (1915), S. 14-15. Erlebnisbericht des Müncher Kameramanns Martin Kopp von seinen Erlebnissen als Kriegsberichterstatter.
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...