Fotis (Vasilis Logothetidis) has been engaged to Mary (Dina Stathatou) for 20 years and is still working hard to make enough money in order to marry her. When his mother (Smaro Stefanidou) becomes ill...
In Constantinople, an Athenian painter (Panos Toulatos) meets a girl from Smyrna (Anna Iasonidou) and begins a romance. They live for a while on the Bosphorus, but when they decide to go to Athens, t...
A musical film with elements of a detective thriller, which was left unfinished by its director Theodoros Angelopoulos. The members of the famous band from the 1960s, the Forminx, try to find the woma...
A crippled pimp named Johnny Keln (Christos Tsagkas) brings prostitute Mitsi (Tatiana Lygari) and her daughter Sonia (Maria Baketea) to Athens. His old friends think he’s a washout, and he faces con...
A mother with her daughter travel to Alexandria, where the former grew up. The trip brings back memories, but it also reveals unpleasant facts that change the lives of the two women and bring them clo...
Thymios (Kostas Chatzichristos) comes to Athens, and, trying to put his life in order, he gets involved in various situations. The question “who will pay for the marble?” is related to the problem...
A beautiful Athenian lady (Lida Miranta), who spends the summer in Hydra, falls in love with a fisherman (Lampros Konstantaras) and “steals him” from his girlfriend (Evgenia Danika) to turn him in...
A young woman who is married to a wealthy man has affairs with a number of men but ends up alone. The only one who stands by her side is her husband’s loyal friend and assistant, who truly loves her...
It mentions the fact that the film is based on the homonymous theatrical play of Pandelis Horn. The brief program, after justifying the transfer of the homonymous theatrical play to the screen, mentio...
The programme mentions the venture of Andres Linares and José Luis Garcia Sanchez, two of “the most remarkable documentarists of modern Spanish cinema” to put into film the biography of DOLORES I...
A colorful photograph of a scene from the film comprises the poster. In approximately its center, the title as well as other features of the film can be read, in white minuscules: “EVDOKIA” “A f...
The central theme of the film review is the relentless megalopolis. The review refers to "Darling" and eventually the analysis and synopsis get interwoven. At the back, it is "the deception of the sim...
The ROYALE Cinema program. On the front cover, cover with the name of the cinema. On the back page, the film synopsis: “ONLY FOR YOU” and the films Coming Soon: “On Monday “Women’s love and ...
In the programme for the screening of the film "Salomé" we read that the director chose a biblical theme as a cinematic showcase for the art of pantomime. There are also references to screenwriter an...
Poster by an anonymous artist. The poster’s upper part is occupied by the portrait of the heroine, Marina - a young woman with brown hair and blue eyes. A little below it the portraits of two young ...
At first the program gives a short reference to the biographical data and works of the director before we hear about the sensation that the film-“antimyth” (ALDEVARAN) caused at the Thessalonica F...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS