Marios (Dimitris Zakynthinos) becomes the target of Elena and Mike (Elena Nathanail and Nikos Verlekis), two industrial spies who plan to steal his patent for a solar energy gathering machine. Marios ...

Ilias has been dreaming of becoming a doctor since he was a child, and is now in the final stage of his studies. He is a true altruist, who wants to help his fellow man and combat tuberculosis. His gi...

An easily frightened provincial, Markos Tremoulas, is in love with the village president’s daughter, Myrto, and so he comes to Athens to collect a loan, which had been approved, to build a hotel com...

Poor young ophthamology student Stefanos, the son of a janitor, is in love with Liza, a doctor’s daughter. And while Liza loves him in return, her parents frown on her relationship with someone not...

A powerful man (Pantelis Zervos) on the island of Lesvos who treats his employees in an olive-oil company badly, quarrels with a young man (Petros Fyssoun) who is in love with the man’s younger wife...

The Minister of Industrial Development faces two problems. One the one hand, his wife, after her unsuccessful suicide attempt, turns against him and takes up with his former associates, who oppose the...

An utterly happy wife, Martha, becomes partially paralyzed, and her husband, Alekos, does everything he can to help with her therapy – causing his financial ruin. Martha, understanding that she is t...

Odysseas and Tzimplas (Giorgos Pantzas and Stathis Psaltis) come to Athens in the hope of fixing their lives. They find a room and work at the factory of Aristomenis (Grigoris Vafias). When rumors eme...

It mentions the fact that the film is based on the homonymous theatrical play of Pandelis Horn. The brief program, after justifying the transfer of the homonymous theatrical play to the screen, mentio...

The programme mentions the venture of Andres Linares and José Luis Garcia Sanchez, two of “the most remarkable documentarists of modern Spanish cinema” to put into film the biography of DOLORES I...

A colorful photograph of a scene from the film comprises the poster. In approximately its center, the title as well as other features of the film can be read, in white minuscules: “EVDOKIA” “A f...

The central theme of the film review is the relentless megalopolis. The review refers to "Darling" and eventually the analysis and synopsis get interwoven. At the back, it is "the deception of the sim...

The ROYALE Cinema program. On the front cover, cover with the name of the cinema. On the back page, the film synopsis: “ONLY FOR YOU” and the films Coming Soon: “On Monday “Women’s love and ...

In the programme for the screening of the film "Salomé" we read that the director chose a biblical theme as a cinematic showcase for the art of pantomime. There are also references to screenwriter an...

Poster by an anonymous artist. The poster’s upper part is occupied by the portrait of the heroine, Marina - a young woman with brown hair and blue eyes. A little below it the portraits of two young ...

At first the program gives a short reference to the biographical data and works of the director before we hear about the sensation that the film-“antimyth” (ALDEVARAN) caused at the Thessalonica F...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS