Marios (Dimitris Zakynthinos) becomes the target of Elena and Mike (Elena Nathanail and Nikos Verlekis), two industrial spies who plan to steal his patent for a solar energy gathering machine. Marios ...

Ilias has been dreaming of becoming a doctor since he was a child, and is now in the final stage of his studies. He is a true altruist, who wants to help his fellow man and combat tuberculosis. His gi...

An easily frightened provincial, Markos Tremoulas, is in love with the village president’s daughter, Myrto, and so he comes to Athens to collect a loan, which had been approved, to build a hotel com...

Poor young ophthamology student Stefanos, the son of a janitor, is in love with Liza, a doctor’s daughter. And while Liza loves him in return, her parents frown on her relationship with someone not...

A powerful man (Pantelis Zervos) on the island of Lesvos who treats his employees in an olive-oil company badly, quarrels with a young man (Petros Fyssoun) who is in love with the man’s younger wife...

The Minister of Industrial Development faces two problems. One the one hand, his wife, after her unsuccessful suicide attempt, turns against him and takes up with his former associates, who oppose the...

An utterly happy wife, Martha, becomes partially paralyzed, and her husband, Alekos, does everything he can to help with her therapy – causing his financial ruin. Martha, understanding that she is t...

Odysseas and Tzimplas (Giorgos Pantzas and Stathis Psaltis) come to Athens in the hope of fixing their lives. They find a room and work at the factory of Aristomenis (Grigoris Vafias). When rumors eme...

The APOLLON cinema program. On the front cover: “A song from the film “100% VIRGIN”, a major box office success in Paris. “Le rosier de Mme Husson. French speaking musical comedy. Unsuitable f...

Critique presentation of the movie with the "incomparable couple" of Italian comedy Rizi - Gassman. Supports the critique in the analysis of Gerardo's central hero, a charlatan actor. Concludes with t...

The program begins by commenting the unfair treatment of the film at the Thessalonica Film Festival and continues saying that this first long film of the filmmaker is characterized by the “clever di...

The introduction to the tribute to Federico Fellini mentions: previous tributes, Fellini’s philosophy and faith, his characters, his films, mythomania, directing final communications and the unsatis...

Programme for the PALLAS cinema. On the cover, graphics with the logo of the cinema and the signature “Vlaso” – as well as reference to the Anonymous Cinematographic Company, which obviously man...

Without mentioning any credits the program goes directly to the description and evaluation of this film made in the early 20th century. It informs us that it is a “rare ethnographic recording of VL...

Critique presentation of the film with references to theatrical boulevard, a genre on which both in theater as well as in motion pictures the French are irresistible. Sautee's love story "has both jov...

The introduction to the programme for the tribute to Federico Fellini gives information on his life and importance as well as reviews of his films - followed by the films with photos, credits, plots a...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS