I. 'DIFFICULTIES OF TRANSPORT. Some of the troubles to be overcome by the transport to keep in touch with the advancing troops.' Wagons, carts, 18-pounder artillery and a convoy of motor lorries pass ...
I. 'Admiralty Official Film. THE KING ATTENDS "DIVISIONS". In the Navy "Divisions" is the equivalent to the regimental parade in the Army, the ship's crew assemble on the quarter deck to the playing o...
A view of the plain of Mulhouse from the town of Thann. The town is attractive and shows no signs of war. A young lady wearing traditional Alsatian costume holds an American flag in honour of the US e...
Troops of a Moroccan division behind the lines in Champagne march in road column, led by their band, through a village to their sports. The sports include a football match and a mule race as well as a...
Franchet d'Esperey is met from his train by various military representatives of the Allies, British, Italian and Serbian. Franchet d'Esperey goes on with his staff to review part of the French conting...
First a posed group of Rawlinson, Fourth Army commander, with his staff. Then, indoors, for the benefit of the camera Rawlinson traces a military manoeuvre on a wall map with a pair of dividers.The li...
Part of the area is flooded. A marching column sets out for the front lines. Engineers knock in stakes for wire defences in the second line and fix wire to them. A relief patrol moves up in single fil...
The men are due to serve with the French Army. They practise a river-crossing using pontoon ferries, drill and bayonet exercises on a parade ground, digging trenches in the scrub and making a mock att...
Szene mit Jackie Monnier (Mitte)
59 x 84 cm
Szene mit Gustav Diessl (rechts)
Claus Clausen (rechts)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
Hans Joachim Moebis, Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
There was not any kind of restriction noted.
,
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(Der) Kinematograph, 143/25
Film-Kurier,