Lorries full of French troops drive through the village of Montebello. French soldiers on the march in two parallel columns come out past the main church. Italian and French troops share a trench on t...
The archbishop and dignitaries leave the cathedral after the mass, and go into the cemetery where the archbishop pronounces a benediction over the graves. Everyone then leaves.A pan over the positions...
The formal ceremony takes place at the general's headquarters. He pins decorations on the standards of seven regiments, including that of 21st Battalion, Chasseurs (?). In Châlons, close to the headq...
The Marquis, as a descendant of de Rochambeau, watches the ceremony. The actual presentation is made by the Marquise, watched by a number of civilians. Following the presentation the regiment marches ...
Some of the troops line a trench, others a sunken road. Engineers of 3rd (Marne) Division build a light bridge over the river. Transport crosses a stone bridge as the sappers continue to repair it. A ...
Men of 332nd Infantry Regiment, detached from 83rd (Ohio) Division, being led by Italian soldiers into the second line of a trench system and going on to occupy a front line. Some of the Americans dis...
Men of XXXIV Corps on a German railway line through the Bois de Loges captured intact on 12th August along with a derailed goods train and a dump of shells, mainly 77mm calibre. German prisoners, some...
The Italian General Pecori and General Maistre review the Sassari Brigade of the French Army, passing between the ranks. As the review is in progress a French Spad 13 overflies the parade twice, quite...
Szene mit Jackie Monnier (Mitte)
59 x 84 cm
Szene mit Gustav Diessl (rechts)
Claus Clausen (rechts)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
Hans Joachim Moebis, Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
There was not any kind of restriction noted.
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(Der) Kinematograph, 143/25
Film-Kurier,